Showing posts with label Technical Pan. Show all posts
Showing posts with label Technical Pan. Show all posts

January 4, 2015

densitometry

Inspired by a discussion on a german board I made a new test with the  Kodak Technical Pan in Caffenol-C-L, compared with older results of Rodinal. The film was exposed @ EI 25, developed in Caffenol-C-L with 0.1 g/l pot. bromide, 11 minutes 20°C, constant agitation for the first 30 seconds, then 3 turns every minute.

No presoak here. I recommend using destilled or demin. water, the thin emulsion is very sensitive for spots. Check if your fixer is clean! And make a clearing test, fix for double clearing time, not longer, you can overfix these films quite easy. Here I fixed for 1 minute total with my regular strength fixer. Development was perfectly even, so I guess there is no need at all to use pot. bromide and maybe get a little bit more speed. After development I made 3 intermediate rinses (tap water this time) with shaky agitation to reduce possible spots. The final rinse was again made with demin water and the film carefully wiped with a V-folded paper tissue.

As you can see, the real speed is like ISO 20, with both developers Rodinal and C-C-L. But the red Rodinal curve is more contrasty. The blue C-C-L curve is better suitable for wet prints. Quite a nice result for a film that is said to be very difficult to handle, isn't it?

On my walk to do the test shots I met 4 young photographers and they were eager models for the test. Thank you very much, guys. I exposed @ EI 25, short before dawn I shot with 1/30 and f/1.4.

Happy developings - Reinhold



 click on the pics to make them bigger




January 1, 2014

happy new year

Happy new year 2014 everybody.

Medium format quality with slow technical (micro) 35mm films and Caffenol-C as a great and cheap developer compared to the dedicated and expensive soups? Yes, why not? The results are first class using a proven recipe and adjusted dev times. Using really fine resolving zoom lenses at bright sunshine make it possible to get great results even handheld, of course fast prime lenses are first choice for every subject.

There are also films from fresh production as Rollei ATO, Rollei Ortho 25, Rollei ATP, Agfa Copex Rapid, and of course the new Kentmere/RPX 25. The latter are not technical films and will probably need some more minutes dev time.

Another sample from the excellent Kodak Technical Pan, developed 12 minutes at 20 °C in Caffenol-C-L with 0.1 g/l pot. bromide, regular agitation, means first 60 seconds continuously, thereafter 3x every minute. Excellent tonal range even at heavy backlight.

Love and peace - Reinhold


click for a bigger size

November 5, 2011

200000

.... clicks in about 1.5 years. Time for a little celebration and - above all - to give credit to everyone who encouraged and supported me or contributed with her/his knowledge here or elsewhere. Also the film donations I received were extremely helpful, so THANK YOU VERY MUCH.

White rose shot with 3.5/50 Canon FD macro lens, illuminated with a 40 watt clamp lamp, exposed on long expired Kodak Technical Pan, stand devloped for only 12 minutes in Caffenol-C-L with 0.1 g/l pot. bromide at 20 °C, gentle agitation 1st minute cont., then let stand.

Cheers - Reinhold

September 18, 2011

microfilm or high res low speed film

To be honest these are my first experiances with this kind of films. Resolutions of about 600 - 800 linepairs/millimeter at 1:1000 contrast and a gamma of about 3 in their typical applications are the benchmarks. For regular photography they need to be developed very compensating, often used are special developers. But also high diluted Rodinal can be used, f.e. 1:100 and a very short dev time below 10 minutes.

I was given a big box of long time expired films like Kodak Technical Pan, Kodak Imagelink, Agfa Ortho etc. in 35mm format and the first result with Technical Pan in Rodinal was very promising.for the second try I used Caffenol-C-L and it came out even better. 15 minutes with regular agitation (initially 10 times, then 3 times every minute) at 20 °C and with 0.4 g/l pot bromide, because I read that streaks are a common problem with this kind of films. I exposed at EI 50, but 25 or so maybe would have been better, but I need more data for this rating. As the negs were slightly underexposed, I had to brighten the images a bit in postprocessing, but not too much.

I am very pleased with the results, no fog at all, perfect even development, crystal clear transparent base. The TechPan with the panchromatic sensitation (up to 700 nm) has a nice tonal rendering, the grain is invisible and not resolvable with my scanner, sharpness is extraordinary.  A pity this film is not available from new production. Despite of strong backlight no tonal rendering probs and no halation effect at all, the tiny cables are resolved perfectly against the bright sky even in the distance. That's really something!

If you want to go into high resolution film based photography I recommend that you try Agfa Copex Rapid, that is made by Agfa-Gevaert in Belgium. Drawback is the PET filmbase, so the film must be loaded/unloaded in almost complete darkness. The ESTAR base of TechPan is easy to handle besides a strong ugly curl.

Inportant note: I found that using demineralized water is necessary for the developer and the final rinse and I very gently wipe the wet film, otherwise I get masses of small dots on the film. Treated as described here and the dots are gone completely.

Cheers - Reinhold