March 8, 2011

available light - HP5+ @ 1600

Hi again,

after Wolf got fine results with the Ilford HP5+ at EI 1600 in Caffenol-C-L and I had splendid shadow details in Caffenol-C-H at about EI 800 I gave HP5+ another try as 35 mm film in Caffenol-C-L because  I'm still looking for a replacement of the Neopan1600. HP5+ could be the film I will stick with. I could verify exactly Wolfs results, nice fine grain and still acceptable tonal range.

Minolta X-300 with Rokkor 2.8/135, 1/30 at f/4 handheld. Simple average metering. Amazingly I almost got no camera shake.

Caffenol-C-L with 1 g/l potassium bromide, 5 minutes presoak, semi stand development 75 minutes at 20 °C, agitation first minute constantly, 3 times at 2, 4, 8, 16 and 32 minutes. Very low base fog level, very easy to scan from negative (Canoscan 8800F + Vuescan Pro) with only minor postprocessing.

Compared to Neopan1600 grain with HP5+ is smaller, tones are a bit more compressed and Neopan1600 easily goes up to 3200. As a replacement for the discontinued Neopan 1600 I like the HP5+ most so far. Tri-X was really disappointing @ 1600. But EI 1600 is probably end of the line for HP5+ if you want some shadow detail. TMax 400 could be a second choice, but I prefer the look of HP5+.

Cheers- Reinhold

PS: fixed the mistake, of course I used Caffenol-C-L, not -C-H for the semi stand development.

March 6, 2011

large format on Fomapan 100

Hello coffeeholics,

I asked Gerald - http://figalfoto.com/index.html - for a  contribution when I saw his pictures taken with a large format camera and a 150 years old lens. Isn't that really frugal? He immediately agreed and here I proudly present his contribution. Thank you very much, Gerald.

Click on the images as usual for a bigger size.

Best - Reinhold

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Dear Reinhold,

Please find attached as requested two Caffenol-C-L developed photos, the one you liked and the companion shot of the skyline. I thought the pair had good tonal range with the Caffenol. These are the straight scan black-and-white versions.





Tech details:

Both shots were done in the mid-morning facing west with a 4x5 Speed Graphic mounted with a E.&H.T. Anthony & Co. Single Achromatic No. 2 barrel lens (a landscape meniscus) that probably dates from 1860-70s. Skyline shot was at f-22, shutter 1/50; the scrap heap shot was at f-18, shutter 1/50.
Film was Arista Ultra 100 (= rebranded Fomapan 100). 5 minutes preasoak, developed for 70 minutes with Caffenol-C-L in Nikor daylight tank., agitated initially for 45 seconds (= 12 inversions), then let stand for entire remaining time. Water stop, Ilford Rapid Fix.
Scanned negative straight as is on Epson Perfection V700. No post processing on these version (except to crop scan and remove a little dust from scan).
Coffee used was Folger's Classic; Arm & Hammer Washing Soda, powdered Ascorbic Acid, and KBr from Photographer's Formulary. Followed Caffenol-C-L recipe but used 1.5g KBr in 1000ml water.

Vita:

Day job is as university professor (Modern Japanese history and culture) at Vanderbilt University. I've authored Civilization and Monsters: Spirits of Modernity in Meiji Japan (1999) and several articles.

After many years of digital photography as a hobby and work tool, I began film photography about 18 months ago in the fall of 2009 with my deceased father's medium format Brownie Hawkeye Flash and with homemade pinhole cameras (paper negatives and medium format film). At the same time, I taught myself black-and-white film processing and began collecting old cameras of various formats, 35mm to 4x5. After obtaining a 1949 Speed Graphic, I started to acquire vintage lenses for it, conventional and non-conventional ones to experiment with. Lately I am shooting majority LF 4x5 black-and-white alongside medium and large format pinholes. Occasionally I take out my Yashica Mat 125G TLR (which I love), and for "snapshots" I tend to use a 35mm Pentax MG and Pentax Super ME. My "special occasion" camera is a 1926 Kodak Autographic 3A that I modified to take 6x14cm panoramic photos with 120 film.
My aesthetic tendencies are sympathetic to the Pictorialists, but I also appreciate good straight photography. I try to do both.

I love Rodinal, but lately it is getting jealous of my affair with Caffenol-C-L. Like many Caffenolholics, I like the idea of mixing a developer from common substances that are eco-friendly. I also like that it is very inexpensive, but that would not matter if it didn't produce good results. I have had such consistently good batches of 70-minute stand developed Caffenol-C-L -- no fogging, no uneven development, and great tonal range -- that even if all developers disappeared from the world I would be happy to use only Caffenol (okay, I would miss my beloved Rodinal).

Thanks again, Reinhold, for researching these recipes!

Cheers,

Gerald Figal

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Finally a beautiful portrait taken with a 240mm Voigtländer Heliar at f-5.6 on the Speed Graphic., developed in Caffenol-C-L as above. Extremely fine tones and note the clever diagonal line of sharpness only possible with the sophisticated settings of such a professional large format camera. Impressive work! Thank you very much, Gerald.

Best - Reinhold


February 28, 2011

trouble shooting

Some people report of problems with coffee based developers and I get some inquieries every once in a while, but not very frequently. You can get very reliable and reproducible results with Caffenol developers if you know what you are doing.

First of all the basic darkroom techniques are exactly the same as with any other developer. If you are a newbie to film development, look for instructions you find a lot of in the web or very often in public libraries. It doesn't matter if the book is 50 years old. If you can develop a film with proper results in Rodinal f.e., you also can with Caffenol. And vice versa :-)

What are the special items to notice for a proper Caffenol development? It's the kind of "agents" you use and the kind of measuring.

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Different coffee brands aren't so different as some people might think. Even expensive coffees work, I got reports f.e. for Nescafe Gold, but why wasting money? There may be very few exeptions, but if any other step of your procedure is OK you will get something and may eventually have adjust the amount of coffee slightly. By the cheapest "strong" or "classic" instant coffee available. Don't use deacidified coffees that are frequently branded "mild" and don't use decaffeinated coffee at all. Use pure instant coffee, no mixes with surrogates etc.

Vitamin-C (ascorbic acid) doesn't make any problems if you get pure one. Crushed pills or something like that may be another thing, try to get pure ascorbic acid. Here in Germany we are lucky to get it in any pharmacy at a very low price.

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Soda definately can make probs if you don't know exactly(!) which kind of soda you have in hands. Please read this post first: http://caffenol.blogspot.com/2010/03/soda-myth-and-truth_07.html

I asked in some discussion groups for veryfied data concerning the quality of soda they use. I didn't get too much feedback and I must believe that many users don't know what they have. But that's important to know, and demanding to know for developers containing a low amount of soda like Caffenol-C-L.

So dry your washing soda in the oven and meter the weight before and after. The loss of weight is the water that was in the soda before drying. All my recipes and most others are based upon anhydrous, waterfree soda. When you know the water content, it's easy to recalculate the amount of soda.

Verified data i have got for different brands of soda:

"Holsten reine calzinierte Soda" (and most other brands in Germany) is anhydrous/waterfree, containing neglectible 2 % of water. So far I didn't hear from a hydrated soda sold in Germany.

"Arm & Hammer washing soda" (US) is also anhydrous/waterfree with 2 % of water.
Update: Jeff reports that his recently bought A&H soda contains about 9 % water, so better check yourself if using low pH mixes like Caffenol-C-L

Senzora Soda (Netherlands, Ukraine) 20 % water. Monohydrate as stated by the manufacturers lab.


"Soude cristeaux" (France, Belgium) contains 50 % water. You need the doubled amont measured in gramms! It seems to be neither a monohydrate nor a decahydrate but something in between.


These are only examples showing that it's important that you determine the water content if not absolutely 100 % sure. There are different kinds of hydrated soda with different water content. Store the soda in an airtight box, otherwise it will attract water from the air. BTW, anhydrous, waterfree soda is a very fine white powder.

If you can't get washing soda (sodium carbonate, Na2CO3) you can use baking soda (NaHCO3, also known as Natron) but you must heat it in the oven or a pan and not only water but also CO2 gas will evaporate in quite large quantities. No warrenty for your safety if you inhale a lot of CO2 gas!!! You will end up with waterfree washing soda. How long it takes? No clue. Heat above 120 °C until it doesn't loose any more weight as you do when drying a hydrated washing soda.

You can use hydrated washing soda once you know how much water it contains. You can't use baking without transforming to washing soda, it will fail.

Don't use any other washing additives like bleech.

Dilute always in given order, first the soda, then Vit-C (let bubbles clear), coffee at last, let stand for some minutes and stir gently.

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Last and winning hands down as a source for trouble is measuring. I highly recommend using a scale/balance. Digital kitchen scales are fine for measuring 100 gramms or so, but may have a big deviation at low weights like f.e. 10 gramms. My digital kitchen scale is unusable below 50 gramms but precise above 100 gramms. I bought a cheap lab scale for about 12 Eur with a resolution of 0.01 gramms. If you have no scale precise enough you may use premixes with larger quantities that are easier to measure. Ezzie explains how to do this on his fine, fine blog:  
Thanks a lot Ezzie for your invaluable support. And maybe you find the idea of premixed dilutions to be very charming.

If you stick to volumetric measuring it's important to determine the density of the agents you have in hands Scientific density data are absolutely useless. Believe me. You must do it yourself. That's why recipes based on volume are so unreliable. They are only suitable for the agents you use. Different brands of coffee, Vit-C and Soda can vary extremely regarding the volume, but not the weight. 1 gramm is 1 gramm. Always. But also pay attention to the water content of your washing soda. Once you determined the densities for your agents you may use your now individually calibrated teaspoons.

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So as an extract : Know which kind of soda you use. Use a scale/balance. Or at least calibrate your teaspoons for each agent. A scale is better ;-)


Happy developings - Reinhold

February 16, 2011

lab gear


All I need for my "R+D". The lttle scale is the most important tool, it did coast me about 12 Eur and has a resolution of 0.01 gramms. All mugs have ml-calibration.

January 31, 2011

sidestep: direct positive paper

Hello,

I received a message from Anton, who developed the Harman direct positive paper in Caffenol. Read the french report here: http://www.galerie-photo.com/positif-direct-papier.html

translate.google is very funny, but you will understand the sense.

Best - Reinhold

January 19, 2011

Confusion

I found this recipe and it's one of the best examples why I only use international standard units:

I do not recommend using this recipe! Does it deserve the name "recipe"?
300ml water with 12 scoops of Instant Coffee
400ml water with 8 scoops of Soda Wash
2 tsp of Powdered Vitamin C
Developed @ 70 C for 9 Minutes
Kodak Stop bath for 1 minute
Kodak Fixer for 5 minutes
10 minute water wash.

He mixes scoops and teaspoons (tsp). What the heck is a scoop? And he mixes scoops and teaspoons, ha??? Does he boil his films in 70 °C(elsius) hot coffee, or does he mean 70 °F(ahrenheit)? Other authors use tablespoons, knife tips, taels (???) and everything else you can imagine.

In anglo-american cultures 1 teaspoon is defined as 5 ml (milliliter). But that is not obvious for the rest of the world. What, if my teaspoon is 3 ml and yours is 8 ml? It makes a huge difference and will spoil the cake. If using 35 or 45 grams instead of recommended 40 grams because of unprecise measuring probably will not spoil the cake. 1 gram is 1 gram, whether you sit in NYC, Rio de Janeira, Paris, Capetown, Beijng or Tasmania.

Everybody uses measuring mugs for fluids, so why not at least use them for volumetric measuring instead of teaspoons and others? The rest of the world will be grateful. For some more precision buy a weight scale. They aren't expensive anymore. Mine did coast 10 Eur.

Beeing creative is cool. Measuring with obscure methods isn't creative at all if you do it all the way wrong. That's totally un-cool. Please understand that I don't want to blame or offend anybody, but also pleeeease, hear my prayings.....and be gentle with comments. Please use international standard units like liter, milliliter, grams, °C (degree celsius). Shouldn't we all be a big family? Worldwide like the www? That would be cool. Very cool.

Thank you very much for your patience and best regards - Reinhold

January 12, 2011

Lucky SHD 100 - Caffenol-C-M

"Hi,

my name's Frank and I started developing film about 1.5 months ago. I have developed various drugstore C41 films with B/W-chemistry to be familiar with the development (it was just cheap) and to test my analogue cameras. Then I developed some APX100 and TMax100 using Rodinal.

Being a lover of drinking coffee I immediately was enthusiastic about developing film with coffee as I heard about it. Searching the web I found Reinhold's blog and was grateful for the recipes in grams and liters. Looking for cheap films to experiment with I got notice of the Lucky SHD 100. The film has no halation protection  and is said to produce what sometimes is called an "aura" effect.

The images shown were taken with an Olympus 35 RC rangefinder at EI 100 and developed in Caffenol-C-M for 15 minutes at 20 °C. The first minute I agitated constantly, thereafter 3 times per minute. Fixing was 4 minutes in Tetenal Superfix (1+3).

Subjectively, I would say that the film can be compared to Caffenol-C-M developed APX100. A strong aura effect is not noticable, but I had exposed the critical subjects sparingly.

I also shot at EI 200 up to EI 800. EI 800 was unusable. EI 400 still seems to be working well. Since I have not documented the settings and I'm not so sure I don't want to make an "official" statement.

Frank"


Thank you very much, Frank. Again the pictures show all the good properties of Caffenol. Excellent contrast handling, awesome shadow details, sharpness and very nice grain. And the good quality of the film is quite a surprise for me. Read more (german language) about Franks very first experiances with film development and more: http://www.frank-eberle.de/  Well done, Frank
Best - Reinhold

January 3, 2011

Eiriks blog

Have a look at this fantastic blog. Eirik from Norway uses premixed dilutions of coffee, soda and Vit-C. And he's a gorgeous photographer, livin in one of the most beautiful countries.

http://on-your-kitchen-worktop.blogspot.com/

Thank you very much for your awesome research and my highest appreciation, Eirik.

Best regards - Reinhold

January 1, 2011

Happy New Year 2011



May your butts always stay warm - Reinhold

December 19, 2010

Polypan F and Caffenol

Hi coffee junkies,

it's good to have friends and besides my regular life I found some friends in the www, some of them supporting me with my blog. Here we have two contributions concerning the Ilford Polypan F film. It's a cine film with almost the same emulsion as the regular Pan F, so boxspeed is 50 ASA, but missing a good halo protection and its available awesome cheap as 35 mm bulkware. Both, Wolf and Mike, exposed the Polypan F with EI 100, Wolf (Lupo914 @ flickr) developed the film in Caffenol-C-L, Mike (Mikeinlagardette @ flickr) in his own Caffenol-C variant that is quite similar to Caffenol-C-M. So let's see their results:


"Hello guys,

time for a new Caffenol experiment. For those „nickel nursers“ out there, it must be an incredible bargain, 90m 35mm film for 22 Euro resulting in 44cent per 36er roll of film. I´m speaking of the Polypan F, rated 50ASA, rumored to be a kinefilm made by Ilford. In fact its a very thin, polyester based film with less than optimal anti halo protection. But it has its own kind of old fashioned look.

For me, I´m using it for quite a while, exposing my second 90m roll of the film. In the past, development was done with Rollei RLS or Rodinal with decent results but only at 25 – 50 ASA, making it a film for sunny days only. Using Caffenol-C-L with Shanghai GP3 100, resulting in very good images rated at 400 ASA, I was curious trying Polypan F in the same soup. For the first attempt I´ve loaded a roll of Polypan F in my Pentax MZ-5n and exposed it like 100 ASA. Development 5 mins presoak, 60 minutes at 20°C in Caffenol-C-L,  continuos agitation for the first minute, two gentle agitations at 15, 30 and 45 minutes. The results are very promising.

Happy experimenting!

Wolf"

Below are Mikes results, portraying a Komaflex S for 127 film (4x4 cm) with a Minolta Dynax 600si and a 35-70mm Minolta zoom lens, cropped to square size:

Polypan F 50 @ 100asa in Caffenol C: Instant Coffee granules 12g, crystalline Washing Soda 10g, Ascorbic Acid powder 4g, water to 300ml. 5 minutes pre-wash, 10.5 minutes @21C, 30 secs continuous agitation, 2 inversions every 15 sec thereafter. Regard the unusual and fast agitiation rhythm.


Again, the Caffenol-C-L images seem to be a bit more on the finer grained side, the Caffenol-C produces some more "grainy character" and the slightly glowing highlights are fitting beautifully to the subject imho. Not to bad for a less than 50 euro-cents/roll film. Well done guys. Thank you very much.


Best regards - Reinhold